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| No. | ±¸ºÐ | ±³¾ç | °ú¸ñ¸í | ¿µ¹®¸í | ÇÐÁ¡ | °Àǽð£ | ½Ç½À½Ã°£ | ¼ö°¿©ºÎ |
|---|---|---|---|---|---|---|---|---|
| 1 | ±³¾ç | ±³¾ç | Education and Society |
3 | 3 | 0 | ¼ö°½Åû | |
| 2 | ±³¾ç | ±³¾ç | Information Processing |
3 | 2 | 2 | ¼ö°½Åû | |
| 3 | ±³¾ç | ±³¾ç | Introduction to Korean Literature |
3 | 3 | 0 | ¼ö°½Åû | |
| 4 | ±³¾ç | ±³¾ç | Mental Health in Modern Society |
3 | 3 | 0 | ¼ö°½Åû | |
| 5 | ±³¾ç | ±³¾ç | Foundations of Lifelong Education |
3 | 3 | 0 | ¼ö°½Åû | |
| 6 | ±³¾ç | ±³¾ç | Advanced Methodology in Youth leadership |
3 | 3 | 0 | ¼ö°½Åû | |
| 7 | ±³¾ç | ±³¾ç | Youth Culture |
3 | 3 | 0 | ¼ö°½Åû | |
| 8 | ±³¾ç | ±³¾ç | Psychology of Sexual Behavior |
3 | 3 | 0 | ¼ö°½Åû | |
| 9 | ±³¾ç | ±³¾ç | Guidance and Counseling |
3 | 3 | 0 | ¼ö°½Åû | |
| 10 | ±³¾ç | ±³¾ç | Parents Education |
3 | 3 | 0 | ¼ö°½Åû | |
| 11 | ±³¾ç | ±³¾ç | Marriage & Family Relations |
3 | 3 | 0 | ¼ö°½Åû | |
| 12 | ±³¾ç | ±³¾ç | Family Relationship |
3 | 3 | 0 | ¼ö°½Åû | |
| 13 | ±³¾ç | ±³¾ç | Theory and Practice in Counseling |
3 | 3 | 0 | ¼ö°½Åû | |
| 14 | ±³¾ç | ±³¾ç | Counseling Psychology |
3 | 3 | 0 | ¼ö°½Åû | |
| 15 | ±³¾ç | ±³¾ç | Family Counseling and Family Therapy |
3 | 3 | 0 | ¼ö°½Åû | |
| 16 | ±³¾ç | ±³¾ç | Human Relations |
3 | 3 | 0 | ¼ö°½Åû | |
| 17 | ±³¾ç | ±³¾ç | Introduction to Psychology |
3 | 3 | 0 | ¼ö°½Åû | |
| 18 | ±³¾ç | ±³¾ç | Introduction to Sociology |
3 | 3 | 0 | ¼ö°½Åû | |
| 19 | ±³¾ç | ±³¾ç | Leadership |
3 | 3 | 0 | ¼ö°½Åû | |
| 20 | ±³¾ç | ±³¾ç | Theory of Advertising |
3 | 3 | 0 | ¼ö°½Åû | |
| 21 | ±³¾ç | ±³¾ç | Introduction to Economics |
3 | 3 | 0 | ¼ö°½Åû | |
| 22 | ±³¾ç | ±³¾ç | Principles of Management |
3 | 3 | 0 | ¼ö°½Åû | |
| 23 | ±³¾ç | ±³¾ç | Psychology of Personal Relations |
3 | 3 | 0 | ¼ö°½Åû | |
| 24 | ±³¾ç | ±³¾ç | Educational Psychology |
3 | 3 | 0 | ¼ö°½Åû | |
| 25 | ±³¾ç | ±³¾ç | Social Welfare Law and Practice |
3 | 3 | 0 | ¼ö°½Åû | |
| 26 | ±³¾ç | ±³¾ç |
°Ç°°ü¸®
|
Health management |
3 | 3 | 0 | - |
| 27 | ±³¾ç | ±³¾ç |
°Ç°Çа³·Ð
|
Introduction to Study of Health |
3 | 3 | 0 | - |
| 28 | ±³¾ç | ±³¾ç |
°Ëµµ¥°
|
Gumdo¥° |
3 | 1 | 4 | - |
| 29 | ±³¾ç | ±³¾ç |
°ÔÀÌÆ®º¼¥°
|
Gateball¥° |
3 | 1 | 4 | - |
| 30 | ±³¾ç | ±³¾ç |
°æÁ¦¼º°øÇÐ
|
Engineering Economics |
3 | 3 | 0 | - |
| 31 | ±³¾ç | ±³¾ç |
°í°íÇа³·Ð
|
Introduction to Archeology |
3 | 3 | 0 | - |
| 32 | ±³¾ç | ±³¾ç |
°ñÇÁ¥°
|
Golf1 |
3 | 1 | 4 | - |
| 33 | ±³¾ç | ±³¾ç |
°ü±¤Çа³·Ð
|
Introduction to Tourism |
3 | 3 | 0 | - |
| 34 | ±³¾ç | ±³¾ç |
±¹¹®Çа³·Ð
|
Introduction to Korean Literature |
3 | 3 | 0 | - |
| 35 | ±³¾ç | ±³¾ç |
±¹»ç°³¼³
|
Introduction to Korean History |
3 | 3 | 0 | - |
| 36 | ±³¾ç | ±³¾ç |
±¹¾Ç°³·Ð¥°
|
Introduction to Korean Traditional Music¥° |
3 | 3 | 0 | - |
| 37 | ±³¾ç | ±³¾ç |
±¹¾îÇа³·Ð
|
Introduction to Korean Linguistics |
3 | 3 | 0 | - |
| 38 | ±³¾ç | ±³¾ç |
±âÃÊÀϾî
|
Basic Japanese Language |
3 | 3 | 0 | - |
| 39 | ±³¾ç | ±³¾ç |
³í¸®ÇÐ
|
Logic |
3 | 3 | 0 | - |
| 40 | ±³¾ç | ±³¾ç |
³ó±¸¥°
|
Basketball¥° |
3 | 1 | 4 | - |
| 41 | ±³¾ç | ±³¾ç |
´ëÁß¿¹¼ú·Ð
|
Public Art |
3 | 3 | 0 | - |
| 42 | ±³¾ç | ±³¾ç |
´í½º½ºÆ÷Ã÷
|
Sports Dance |
3 | 1 | 4 | - |
| 43 | ±³¾ç | ±³¾ç |
µ¿¼¹®È±³·ù»ç
|
Cultural Interaction Between East and West |
3 | 3 | 0 | - |
| 44 | ±³¾ç | ±³¾ç |
µ¿¾ç¹®È»ç
|
History of Oriental Civilization |
3 | 3 | 0 | - |
| 45 | ±³¾ç | ±³¾ç |
µ¿¾ç¹Ì¼ú»ç
|
History of Oriental Arts |
3 | 3 | 0 | - |
| 46 | ±³¾ç | ±³¾ç |
µ¿¾çÀ½¾Ç°³·Ð
|
Introduction to Oriental Music |
3 | 3 | 0 | - |
| 47 | ±³¾ç | ±³¾ç |
µðÀÚÀηÐ
|
Design Theory |
3 | 3 | 0 | - |
| 48 | ±³¾ç | ±³¾ç |
¸ÖƼ¹Ìµð¾î°³·Ð
|
Introduction to Multimedia |
3 | 3 | 0 | - |
| 49 | ±³¾ç | ±³¾ç |
¹«¿ªÇа³·Ð
|
Introduction to International Trade |
3 | 3 | 0 | - |
| 50 | ±³¾ç | ±³¾ç |
¹«Çü¹®ÈÀç°³·Ð
|
Introduction to Tangible Cultural Properties |
3 | 3 | 0 | - |
| 51 | ±³¾ç | ±³¾ç |
¹®¿¹Ã¢ÀÛ
|
Literary Writing |
3 | 2 | 2 | - |
| 52 | ±³¾ç | ±³¾ç |
¹®Çа³·Ð
|
Introduction to Literature |
3 | 3 | 0 | - |
| 53 | ±³¾ç | ±³¾ç |
¹®È°ü±¤·Ð
|
Introduction to Culture of Tourism |
3 | 3 | 0 | - |
| 54 | ±³¾ç | ±³¾ç |
¹°¸®ÇÐ
|
Physics |
3 | 3 | 0 | - |
| 55 | ±³¾ç | ±³¾ç |
¹Ì¼úÄ¡·á
|
Art Therapy |
3 | 2 | 2 | - |
| 56 | ±³¾ç | ±³¾ç |
¹ÌÇа³·Ð
|
Aesthetics |
3 | 3 | 0 | - |
| 57 | ±³¾ç | ±³¾ç |
¹æ¼ÛÇа³·Ð
|
Introduction to Broadcasting |
3 | 3 | 0 | - |
| 58 | ±³¾ç | ±³¾ç |
¹èµå¹ÎÅÏ
|
Badminton |
3 | 1 | 4 | - |
| 59 | ±³¾ç | ±³¾ç |
¹ýÇа³·Ð
|
Introduction to Law |
3 | 3 | 0 | - |
| 60 | ±³¾ç | ±³¾ç |
º¸¿Ï´ëü¿ä¹ý
|
Complementary-Alternative Therapy |
3 | 3 | 0 | - |
| 61 | ±³¾ç | ±³¾ç |
º¼¸µ
|
Bowling |
3 | 1 | 4 | - |
| 62 | ±³¾ç | ±³¾ç |
ºÎµ¿»êÅõÀÚ·Ð
|
Real Estate Investment |
3 | 3 | 0 | - |
| 63 | ±³¾ç | ±³¾ç |
ºÒ±³Çа³·Ð
|
Introduction to Buddhism |
3 | 3 | 0 | - |
| 64 | ±³¾ç | ±³¾ç |
ºñ¼Çа³·Ð
|
Introduction to Secretarial Science |
3 | 3 | 0 | - |
| 65 | ±³¾ç | ±³¾ç |
»çÀ̹ö½É¸®ÇÐ
|
Cyber Psychology |
3 | 3 | 0 | - |
| 66 | ±³¾ç | ±³¾ç |
»çÁøÃÔ¿µ°ú °¨»ó
|
Appreciation of Photography |
3 | 2 | 2 | - |
| 67 | ±³¾ç | ±³¾ç |
»çȸÀ±¸®ÀÇÁ¦¹®Á¦
|
Problems in Social Ethics |
3 | 3 | 0 | - |
| 68 | ±³¾ç | ±³¾ç |
»çȸüÀ°°³·Ð
|
Introduction to Community Sport |
3 | 3 | 0 | - |
| 69 | ±³¾ç | ±³¾ç |
»ê¾÷°øÇа³·Ð
|
Introduction to Industrial Engineering |
3 | 3 | 0 | - |
| 70 | ±³¾ç | ±³¾ç |
»ê¾÷½É¸®ÇÐ
|
Industrial Psychology |
3 | 3 | 0 | - |
| 71 | ±³¾ç | ±³¾ç |
»öäÇÐ
|
Chromatics |
3 | 3 | 0 | - |
| 72 | ±³¾ç | ±³¾ç |
»ý¹°Çа³·Ð
|
Introduction to Biology |
3 | 3 | 0 | - |
| 73 | ±³¾ç | ±³¾ç |
»ýȰ¹«¿ë
|
Social Dance |
3 | 1 | 4 | - |
| 74 | ±³¾ç | ±³¾ç |
»ýȰ¿µ¾î
|
Practical English |
3 | 3 | 0 | - |
| 75 | ±³¾ç | ±³¾ç |
»ýȰ¿¹Àý
|
Practical Etiquette |
3 | 3 | 0 | - |
| 76 | ±³¾ç | ±³¾ç |
»ýȰüÀ°·Ð
|
Study of sports for all |
3 | 3 | 0 | - |
| 77 | ±³¾ç | ±³¾ç |
¼¾ç¹®È»ç
|
History of Western Culture |
3 | 3 | 0 | - |
| 78 | ±³¾ç | ±³¾ç |
¼¾ç¹Ì¼ú»ç
|
History of Western Art |
3 | 3 | 0 | - |
| 79 | ±³¾ç | ±³¾ç |
¼¾çȰ¨»ó
|
Appreciation of Western Painting |
3 | 3 | 0 | - |
| 80 | ±³¾ç | ±³¾ç |
¼ºÀå±âÀÚ³àÀÇÀÌÇØ¿ÍºÎ¸ð¿ªÇÒ
|
Understanding the Childhood & Role of Parents |
3 | 3 | 0 | - |
| 81 | ±³¾ç | ±³¾ç |
¼ºÀå¹ß´Þ
|
Growth and Development |
3 | 3 | 0 | - |
| 82 | ±³¾ç | ±³¾ç |
¼¼°èÀ½¾Ç¹®È
|
Culture of World Music |
3 | 3 | 0 | - |
| 83 | ±³¾ç | ±³¾ç |
¼¼½Ãdz¼Ó·Ð
|
Seasonal Festivals and Customs |
3 | 3 | 0 | - |
| 84 | ±³¾ç | ±³¾ç |
¼ÒÇÁÆ®º¼
|
Softball |
3 | 1 | 4 | - |
| 85 | ±³¾ç | ±³¾ç |
¼ö¿µ¥°
|
Swimming¥° |
3 | 1 | 4 | - |
| 86 | ±³¾ç | ±³¾ç |
½ºÄÉÀÌÆ®
|
Skate |
3 | 1 | 4 | - |
| 87 | ±³¾ç | ±³¾ç |
½ºÄõ½Ã
|
Squash |
3 | 1 | 4 | - |
| 88 | ±³¾ç | ±³¾ç |
½ºÅ°
|
Skiing |
3 | 1 | 4 | - |
| 89 | ±³¾ç | ±³¾ç |
½ºÆ÷Ã÷¸¶»çÁö
|
Sports Massage |
3 | 1 | 4 | - |
| 90 | ±³¾ç | ±³¾ç |
½Ä»ýȰ°ú°Ç°
|
Diet and Health |
3 | 3 | 0 | - |
| 91 | ±³¾ç | ±³¾ç |
½Ä»ýȰ°ü¸®
|
Meal Management |
3 | 3 | 0 | - |
| 92 | ±³¾ç | ±³¾ç |
½ÄǰÇÐ
|
Sitology |
3 | 3 | 0 | - |
| 93 | ±³¾ç | ±³¾ç |
½Ç¿ë¿µ¾îȸÈ
|
Practical English Conversation |
3 | 2 | 2 | - |
| 94 | ±³¾ç | ±³¾ç |
½Ç¿ëÇÑÀÚ
|
Practical Chinese Characters |
3 | 3 | 0 | - |
| 95 | ±³¾ç | ±³¾ç |
¾Æµ¿°¡Á·ÀÇÀÌÇØ
|
Understanding of Child and Family |
3 | 3 | 0 | - |
| 96 | ±³¾ç | ±³¾ç |
¾Æµ¿¹ß´Þ
|
Child Development |
3 | 3 | 0 | - |
| 97 | ±³¾ç | ±³¾ç |
¾ð·ÐÇа³·Ð
|
Introduction to Mass Communication |
3 | 3 | 0 | - |
| 98 | ±³¾ç | ±³¾ç |
¿¡¾î·Îºò
|
Aerobics |
3 | 1 | 4 | - |
| 99 | ±³¾ç | ±³¾ç |
¿©°¡¹×·¹Å©¸®¿¡À̼Ç
|
Introduction to Leisure and Recreation |
3 | 2 | 2 | - |
| 100 | ±³¾ç | ±³¾ç |
¿©¼ºÇÐ
|
Feminist Theory |
3 | 3 | 0 | - |
| 101 | ±³¾ç | ±³¾ç |
¿¬±Ø°³·Ð
|
Introduction to Drama |
3 | 3 | 0 | - |
| 102 | ±³¾ç | ±³¾ç |
¿µ¾î°µ¶¥°
|
English Reading Comprehension¥° |
3 | 3 | 0 | - |
| 103 | ±³¾ç | ±³¾ç |
¿µ¾î¼Óµ¶¹ý
|
Method of Fast Reading in English |
3 | 3 | 0 | - |
| 104 | ±³¾ç | ±³¾ç |
¿µ¾îÇа³·Ð
|
Introduction to English Linguistics |
3 | 3 | 0 | - |
| 105 | ±³¾ç | ±³¾ç |
¿µ¾îȸȥ°
|
English Conversation¥° |
3 | 2 | 2 | - |
| 106 | ±³¾ç | ±³¾ç |
¿µÀÛ¹®¥°
|
English Composition¥° |
3 | 2 | 2 | - |
| 107 | ±³¾ç | ±³¾ç |
¿µÈÇа³·Ð
|
Introduction to Film |
3 | 3 | 0 | - |
| 108 | ±³¾ç | ±³¾ç |
¿Ü½Ä»ê¾÷â¾÷¹×°æ¿µ
|
Starting Business and Management of Foodservice |
3 | 3 | 0 | - |
| 109 | ±³¾ç | ±³¾ç |
¿ä°¡
|
Yoga |
3 | 1 | 4 | - |
| 110 | ±³¾ç | ±³¾ç |
À¯µµ¥°
|
Judo¥° |
3 | 1 | 4 | - |
| 111 | ±³¾ç | ±³¾ç |
À½¾Ç°¨»ó¹ý¥°
|
Music Appreciation¥° |
3 | 3 | 0 | - |
| 112 | ±³¾ç | ±³¾ç |
À½¾Ç°³·Ð¥°
|
Introduction to Music¥° |
3 | 3 | 0 | - |
| 113 | ±³¾ç | ±³¾ç |
À½¾Ç»ç¥°
|
History of Music¥° |
3 | 3 | 0 | - |
| 114 | ±³¾ç | ±³¾ç |
ÀǺ¹°ú»öä
|
Clothing and Color |
3 | 3 | 0 | - |
| 115 | ±³¾ç | ±³¾ç |
Àΰ£°øÇÐŽ±¸
|
Study of Ergonomics |
3 | 3 | 0 | - |
| 116 | ±³¾ç | ±³¾ç |
Àΰ£°ü°è¿ÍÀÇ»ç¼ÒÅë·Ð
|
Interpersonal Relationship and Communication |
3 | 3 | 0 | - |
| 117 | ±³¾ç | ±³¾ç |
Àΰ£ÇൿÀǽɸ®ÇÐÀûÀÌÇØ
|
Psychology of Human Behavior |
3 | 3 | 0 | - |
| 118 | ±³¾ç | ±³¾ç |
Àη°³¹ß°úȰ¿ë
|
Human Resource Development & Application |
3 | 3 | 0 | - |
| 119 | ±³¾ç | ±³¾ç |
ÀÎÅͳÝȰ¿ë¥°
|
Internet Application1 |
3 | 2 | 2 | - |
| 120 | ±³¾ç | ±³¾ç |
ÀϹÝÈÇÐ
|
General Chemistry |
3 | 3 | 0 | - |
| 121 | ±³¾ç | ±³¾ç |
ÀϺ»¹®È·Ð
|
Japanese Culture |
3 | 3 | 0 | - |
| 122 | ±³¾ç | ±³¾ç |
ÀçÁîÀ½¾Ç»ç
|
History of Jazz |
3 | 3 | 0 | - |
| 123 | ±³¾ç | ±³¾ç |
Àü±âÀüÀÚ°øÇа³·Ð
|
Introduction to Electrical & Electronic Engineering |
3 | 3 | 0 | - |
| 124 | ±³¾ç | ±³¾ç |
ÀüÅë¹Î¼ÓÇа³·Ð
|
Introduction to Tradition Folklore |
3 | 3 | 0 | - |
| 125 | ±³¾ç | ±³¾ç |
Á¤º¸»çȸ¿Í¹Ìµð¾î
|
Information Society & the Media |
3 | 3 | 0 | - |
| 126 | ±³¾ç | ±³¾ç |
Á¤º¸Åë½Å°³·Ð
|
Introduction to Information & Communication |
3 | 3 | 0 | - |
| 127 | ±³¾ç | ±³¾ç |
Á¤º¸È»çȸ·Ð
|
Theories of Information Society |
3 | 3 | 0 | - |
| 128 | ±³¾ç | ±³¾ç |
Á¤Ä¡Çа³·Ð
|
Introduction to Politics |
3 | 3 | 0 | - |
| 129 | ±³¾ç | ±³¾ç |
Á¶Çü½É¸®Çа³·Ð
|
Psychology of Art |
3 | 3 | 0 | - |
| 130 | ±³¾ç | ±³¾ç |
Áß±¹¾î¥°
|
Chinese¥° |
3 | 3 | 0 | - |
| 131 | ±³¾ç | ±³¾ç |
Á÷¾÷±â¼ú±³À°·Ð
|
Vocational & Technical Education |
3 | 3 | 0 | - |
| 132 | ±³¾ç | ±³¾ç |
Á÷¾÷À±¸®
|
Vocational Ethics |
3 | 3 | 0 | - |
| 133 | ±³¾ç | ±³¾ç |
üÁ¶¥°
|
Gymnastic¥° |
3 | 1 | 4 | - |
| 134 | ±³¾ç | ±³¾ç |
Ã౸¥°
|
Soccer1 |
3 | 1 | 4 | - |
| 135 | ±³¾ç | ±³¾ç |
ÄÄÇ»ÅͰ³·Ð(Àü»ê°³·Ð)
|
Introduction to Computing |
3 | 3 | 0 | - |
| 136 | ±³¾ç | ±³¾ç |
ÄÄÇ»Åͱ׷¡ÇÈ¥°
|
Computer Graphics¥° |
3 | 2 | 2 | - |
| 137 | ±³¾ç | ±³¾ç |
ÄÚµð³×ÀÌÆ®¹ÌÇÐ
|
Coordinate Aeesthetics |
3 | 3 | 0 | ¼ö°ÁغñÁß |
| 138 | ±³¾ç | ±³¾ç |
Ŭ·¡½ºÇǾƳ륰
|
Class Piano¥° |
3 | 1 | 4 | - |
| 139 | ±³¾ç | ±³¾ç |
ʱ¸
|
Pingpong |
3 | 1 | 4 | - |
| 140 | ±³¾ç | ±³¾ç |
űǵµ¥°
|
Taekwondo¥° |
3 | 1 | 4 | - |
| 141 | ±³¾ç | ±³¾ç |
Å״Ͻº¥°
|
Tennis¥° |
3 | 1 | 4 | - |
| 142 | ±³¾ç | ±³¾ç |
Åë°èÇÐ
|
Statistics |
3 | 3 | 0 | - |
| 143 | ±³¾ç | ±³¾ç |
ÆÐ¼Ç¹ÙÀ×&¸®Å×Àϸµ
|
Fashion Buying £¦ Retailing |
3 | 3 | 0 | - |
| 144 | ±³¾ç | ±³¾ç |
Çѱ¹±Ù´ëȸȻç
|
History of Korean Modern Painting |
3 | 3 | 0 | - |
| 145 | ±³¾ç | ±³¾ç |
Çѱ¹Áö¹æ»ç¿¬±¸
|
Study on Korean Local History |
3 | 3 | 0 | - |
| 146 | ±³¾ç | ±³¾ç |
Çѱ¹Ã¶Çлç
|
History of Korean Philosophy |
3 | 3 | 0 | - |
| 147 | ±³¾ç | ±³¾ç |
Çѱ¹Çö´ë½Ã·Ð
|
Modern Korean Poetry |
3 | 3 | 0 | - |
| 148 | ±³¾ç | ±³¾ç |
ÇàÁ¤Çа³·Ð
|
Introduction to Public Administration |
3 | 3 | 0 | - |
| 149 | ±³¾ç | ±³¾ç |
Çö´ë±â¾÷°æ¿µ·Ð
|
Business Management |
3 | 3 | 0 | - |
| 150 | ±³¾ç | ±³¾ç |
Çö´ë¹Ì¼ú·Ð
|
Contemporary Art |
3 | 3 | 0 | - |
| 151 | ±³¾ç | ±³¾ç |
Çö´ëÀ½¾Ç°³·Ð
|
Introduction to Contemporary Music |
3 | 3 | 0 | - |
| 152 | ±³¾ç | ±³¾ç |
È£½Å¼ú
|
Self-defence |
3 | 1 | 4 | - |
| 153 | ±³¾ç | ±³¾ç |
ÈÈÑÀå½Ä
|
Decoration of Ornamental Flower |
3 | 2 | 2 | - |
| 154 | ±³¾ç | ±³¾ç |
ȯ°æÇа³·Ð
|
Introduction to Environmental Engineering |
3 | 3 | 0 | - |
| 155 | ±³¾ç | ±³¾ç |
ȸ°è¿Í»çȸ
|
Accounting and Society |
3 | 3 | 0 | - |
| 156 | ±³¾ç | ±³¾ç |
PCȰ¿ë¥°
|
PC Application¥° |
3 | 2 | 2 | - |
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